The past two months I've been interested in DIY field recording things, contact mics and such. Got some supplies, gonna roll some odd units. Definitely going tape some contact mics to a guitar for shenanigans (like a souped up Keith Rowe vibe). But then I started wondering if you could get either the piezo discs or some tiny speakers to feed the guitar audio back into the guitar. Maybe make a teensy preamp. I was mostly thinking this would work by interfering with the pickups to get nasty feedback or whatever.
Around this time my internet searching turned up the "Tornipulator" circuit (see below). And the other day I saw the discussion quoted below which brought up attaching audio exciters to the guitar body for feedback. Super neat.
The videos using the exciter method that I have seen involve using an external amplifier to drive the exciter. I'm thinking there may be some very compact chip based amplifier circuits that could be mounted on board (or in a little project box) that would make this all more manageable.
You'd need to tap the guitar output signal. Would this require buffering? I can't remember. Anyway this signal would go into the amp and from there into the exciter, stimulating the body . . . fripp-out. This would let you add a handy volume know for this circuit to ramp up or down the feedback.
I wonder what the minimum power you'd need to be effective. The video below uses a 50 watt SS Peavey and a not so discrete honker of an exciter. I think you can work up a small 1-5 watt amp in a pretty compact package, like those little smokey amps. Will that be enough? I don't know. Likewise, Dayton Audio makes a whole line of exciters (https://www.daytonaudio.com/category/180/exciters), some of which are quite compact. Will the lil ones be able to sufficiently excite the body? I don't know.
Will on-board circuitry interfere with the pickup's signal? I don't know.
I recently found the body and neck of my old Squier strat from highschool, which had its upgraded parts sold some time ago. I plan to put cheap neck and bridge pickups in it, omitting the middle pickup. This leaves plenty of under-the-hood realestate for experiments.
VaticanShotglass wrote: Fri Aug 20, 2021 10:08 pmIf you want to go further with onboard mic/speaker noise, check out the Tornipulator circuit as seen in this jag.Leeplusplus wrote: Thu Jun 03, 2021 6:02 pmGreat idea! Honestly, can't believe I didn't think of one of these. Thanks for the tip, I'll look into them.uglysound wrote: Wed Jun 02, 2021 6:43 am Maybe consider using a surface transducer to make the cello itself the speaker?
They seem to project sound really well, so the filtering wouldn't be as severe but, between transducer and mic placement, there's probably a lot to explore there.