devils advocate.
ok, so you're out of college and grew up on hardcore and other great music. you went to art school and skated and listened to minor threat constantly. your band struggles to make it and you of course have to get a day job now that you're no longer on the dole. fuck - those student loans are piling up, but you and your friends started a graphic design shop. it's you and your mate john, who also skated with you since 7th grade and went to all those awesome shows when you were straight edge, then also got off the edge wagon and started getting shitfaced every night listening to the jesus lizard. your company starts by making skate decks and screening posters for bands. eventually you get into web and print, and one day nike approaches you cuz your company kicks ass.
shit, this is post modernism at it's finest right? i mean, you've been approriating and recontextualizing for years now (we learned those big words in art school) - why not? i fucking love minor threat, most of the jags seeing the ad won't know, but those who REALLY GET IT, will see it and say, that's fucking cool man - MINOR THREAT! listen, one way or the other, i have to make this ad for the client in order for me to afford the rent in my cool loft space. it can be something retarded and stupid, or something that is actually cool, and maybe will get some 10yr old skater kid into cool music. and shit, maybe pitchfork or a bunch of internet nerds will get all uppity about it and there will be a big buzz, and maybe dischord can sell a few more records, and i can in some sort of fucked up way - help out the scene. if i have to be part of the system, maybe i can sorta use it for something good right?
it's totally cool and a nod to the history when a band rips off a previous record cover right - so what's the big deal here?
/devils advocate