Good gear can be hard to find used sometimes (cheap and in good shape)...right now I'm just settling with mediocre gear, looks like I'll keep on looking. A boy can dream though
Just because there are tubes in something isn't always an indicator of the quality of the unit. Saddly tubes have become a key marketing term.
Yeah I know....this is exactly what I want to avoid. Throwing something in there just for the sake of a marketing gimmick...but I think I was just being ...
From the very limited amount of info I've read (and still reading) they don't appear to have the headroom of many of the consoles of today...but I dig the sound of older recordings and got some idea in my head that a tube based mixer would be more ideal for me. I thought they didn't make them ...
I think they're already out, I know Sweetwater sells them...they're the same price as the studio ones but have been modified to have a sturdier ribbon. You can always tell if it's a live version by the red Royer label (instead of green or black)
So I've been looking around for other cheap ribbons and stumbled onto http://www.cascademicrophones.com If you're ever feeling frisky and wanna give live ribbons a try or just want some decent cheap (read Chinese) mics then look no further. They list quite a few ribbons anywhere from ...
Sorry I'm confused, maybe I'm under the assumption that a power amp, like say a Mesa 50/50 is designed to run a speaker cab. The first amp my signal hits is a THD Univalve, which has a line out that runs either instrument level or line level. Then, from the line out on the Univalve to the delay ...
Maybe some of you have experience with this. I want to place my Roland SRE-555 tape delay after my amp, the amp in question has a line out that can either be line or instrument level. For those not familiar, this supposedly maximizes your amp tone by not coloring your amp with delay through the ...