no probs gentlemen. we can handle them all. i"m surprised you were told otherwise. currently we opperate sadie 5.2.1 and sonic solutions classic 5.4b10.
as for analogue cutting we have advanced head cutting from both 1/4" and 1/2" both a/ sr non dolby 15ips or 30ips non dolby, both on lacquer or dmm, and we value steve albini's work and recomendation.
88.2khz, files etc.
3abbey road
can't you figure that out?
just kidding
i just happened to know from another post
can't you figure that out?
just kidding
i just happened to know from another post
88.2khz, files etc.
4abbey road, yup.
thats the place. i can't understand why various formats should have been an issue. we've been doing this since 1931. if there have been problems then i appologise on behalf of all of us here.
we are, as engineers, proud of the "can do" attitude of our studio, and we will do anything necessary to do the job.
our history speaks for itself.
ok, some people will not be staisfied sometimes, but me personally, i'm proud of the history here, i know all the engineers here are, and we,in mastering give 110%, who ever the clent maybe.
(i am dyslexic so ignore the spellin, i know there's a spell checker, but hey)
thats the place. i can't understand why various formats should have been an issue. we've been doing this since 1931. if there have been problems then i appologise on behalf of all of us here.
we are, as engineers, proud of the "can do" attitude of our studio, and we will do anything necessary to do the job.
our history speaks for itself.
ok, some people will not be staisfied sometimes, but me personally, i'm proud of the history here, i know all the engineers here are, and we,in mastering give 110%, who ever the clent maybe.
(i am dyslexic so ignore the spellin, i know there's a spell checker, but hey)
88.2khz, files etc.
5is it true that DMM allows longer sides (or better quality for a given side length) than laquer masters?
-noah
-noah
your an idiot
88.2khz, files etc.
6Noah wrote:is it true that DMM allows longer sides (or better quality for a given side length) than laquer masters?
-noah
as for longer sides, not really. the only things that govern you side length are how loud and how stereo. the quieter you cut the longer the side. true, on dmm you try to cut as shallow as possible as this gives you less surface noise, and the shallower you cut the more room you have. on lacquer however you try to cut as deep as you can as this gives you less surface noise. but space wise you just squeeze the grooves closer. as a good guide 20 mins a side for an lp is good, you can get a healthy level. for club 12" say 13 mins at and at 45 i usually get 8 mins (the 12" are nearly as loud as cd's)
as for quality of sound, well thats an interesting point. dmm has better resoloution towards the inner groove so you get less hf degradation and is more tollerent of wayward s's, but it does sound harder.
i happy i can cut on both, there arn't many studios that can, so i feel lucky. some people want a detailed sound over the whole record, and then others want the warm slightly mushy sound of lacquer. so quality of sound could be regarded as a subjective or objective thing.
88.2khz, files etc.
7Hey third,
You should straighten out L and F in the office. They seemed perplexed by the whole idea of my client and I bringing 24-bit AIFF files on CDR. Ultimately, Chris did the session from 16-bit, 44.1 CDRs and it sounded great, but we were told that he couldn't do otherwise. We were offered the option of bringing a 24-bit DAT, but we honestly couldn't find a 24-bit DAT machine anywhere in our area to do transfers. (I feel pretty connfident in saying that it's not a very popular format in the US.)
Glad to know it's not an issue, but hopefully the front office can be made aware of that.
Chris Garges
Charlotte, NC
You should straighten out L and F in the office. They seemed perplexed by the whole idea of my client and I bringing 24-bit AIFF files on CDR. Ultimately, Chris did the session from 16-bit, 44.1 CDRs and it sounded great, but we were told that he couldn't do otherwise. We were offered the option of bringing a 24-bit DAT, but we honestly couldn't find a 24-bit DAT machine anywhere in our area to do transfers. (I feel pretty connfident in saying that it's not a very popular format in the US.)
Glad to know it's not an issue, but hopefully the front office can be made aware of that.
Chris Garges
Charlotte, NC
88.2khz, files etc.
8Sorry third, that may be the case now, but when I last enquired (I guess about 7 months ago) a request to use 88.2 24bit WAVs to master from was met with not a little confusion - apparently the only option was to go with your "film guy"? So unfortunately the project had to be taken to Metropolis across town.
Anyway, its great to hear that you're finally able to work with these formats so you guys will be in the running next time.
Graham Sutton
London, U.K.
---------------
Anyway, its great to hear that you're finally able to work with these formats so you guys will be in the running next time.
Graham Sutton
London, U.K.
---------------
88.2khz, files etc.
9cgarges wrote:Hey third,
You should straighten out L and F in the office. They seemed perplexed by the whole idea of my client and I bringing 24-bit AIFF files on CDR.
Glad to know it's not an issue, but hopefully the front office can be made aware of that.
hopefully this shouldnt be an issue..i'd say if it you find the front office confused then ask to speak to an engineer, or pm me here, or contact me direct and i'll set the wheels in motion. glad you got it mastered and you were happy with the results
88.2khz, files etc.
10Gr8h8m wrote:Sorry third, that may be the case now, but when I last enquired (I guess about 7 months ago) a request to use 88.2 24bit WAVs to master from was met with not a little confusion - apparently the only option was to go with your "film guy"? So unfortunately the project had to be taken to Metropolis across town.
Anyway, its great to hear that you're finally able to work with these formats so you guys will be in the running next time.
Graham Sutton
London, U.K.
---------------
hi graham, i appologise for the problem you had, and hope to see you in the future. drop me a line if you have an issue.
cheers
sean