if you could only endorse one band

13
the grifters have long ago broken up, i know. but i don't think people yet appreciate what they pulled off with their first three records (and the eureka ep). sometimes i wonder if my destiny as a would-be scholarly type is to get my advanced degrees in my relatively estranged discipline, only to blow it all on attempting to publish something like an apologia for the grifters.

same goes for the hal al shedad.

if you could only endorse one band

14
sakes wrote:Transformer Lootbag.

http://www.transformerlootbag.com/


holy shit - they're still around? thanks for the link, i'm gonna see what they're up to. they were the hot band in madison when i lived there back when...

wow - totally different now. i remember them sounding just like fugazi then, this new stuff is pretty awesome.
Last edited by nick92675_Archive on Sun Nov 28, 2004 11:34 am, edited 1 time in total.
post honeymoon | bang! bang! | new black

if you could only endorse one band

16
If I understand this correctly, we're talking about bands we think of as being criminally underrated, bands that if we had a soapbox we'd get up on it and sing their praises (kind of like when Nirvana used to wear Melvins t-shirts on MTV). With that in mind, I nominate Minneapolis' Party Of One, whose "Caught the Blast" album was my 2003 favorite. I naively thought it would be one of those "talked-about" records, but it seemed to sink without a trace. I posted a C/NC about them, mainly to see how many people on this board had heard of them, and got no replies. I really think a lot of people on this board would really like them. The songs are funny, sad, jarring--pretty much everthing I look for in music. "Six Million Anonymous Deceased" is just devastating--it lives up to the title. Of all the bands of the last few years that have tried to channel the "post-punk" vibe, Party Of One are the only ones that I think get it absolutely right--not just the bass lines, angularity, etc., but the vibe of anxiety and regret, the weight of history, all that. Plus, it's the only album I think I've ever heard that's helped by it's lo-fi down-in-the-basement sound.

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