Pressing records with a 3-D printer

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Steve's discussion near the end of this podcast of the difficulties Shellac has experienced with pressing their new record inspired a question. What logistical issues would need to be addressed to make high-quality records on a 3-D printer? At what scale would a release produced with a machine like a FormLabs 3 (chosen because my employer has one) be economically viable compared to using a pressing plant?
dvockins wrote:
That is the most pretentious bullshit I have heard in the last three years and I live in Brooklyn.

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